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明日之星黎耀威—年輕人談粵劇如何改進，才可以吸引年輕人
藝術上，我不喜歡「改革」這名詞，如千斤重的斧頭，把藝術連根拔起。愛「改進」這兩個字，如健身室的啞鈴，輕重有序。 香港的歷史文化中，粵劇是我們最驕傲和珍貴的寶藏，香港人放棄浩瀚深厚的粵劇，等同把維多利亞港的海水抽走…..
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THE GLORIOUS HISTORY OF VOICE DUBBING IN HONG KONG—BY MASTER TING YU, BORN IN 1934
17-10-19 One of the acclaimed contemporary composers is Arvo Pärt, from Estonia. He delights us with music played by a wide range of instruments. He however said, “The human voice is the most perfect instrument of all.” Words mean more than facial expressions but it takes a human voice to infuse words with greater power.…
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香港璀璨配音歷史三階段，梁朝偉的「聲音」是誰？—掌門人丁羽
香港有個配音皇帝，他叫丁羽(原名周日滔)，1934年9月出生，今年八十多歲，1953年進入電影圈，當演員，六十年代在邵氏影城當副導演，1966年，轉往香港電視廣播有限公司(TVB)，當他們第一個配音「領班」，1973年成立「丁氏配音公司」，至今屹立不倒，丁羽的配音徒子徒孫，遍布圈中。著名演員譚炳文、朱江、金雷、藍天、梅欣，都曾經是他手下…..
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TO DEVELOP TECHNOLOGY IN HONG KONG, WE NEED EDUCATION IN FAILURE, NOT ONLY SUCCESS—STANLEY ZHENG
13-10-19 I wrote on creativity. Technology is about creativity. Technology in Hong Kong means the discovery of new scientific knowledge which will bring the new results of methods, systems and devices. They can be used for practical purposes to drive our economic growth and give hopes to the youth. Stanley Zheng is a renowned expert…
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發展香港創意和科技，先要青年人接受「失敗」的學習—聽專家鄭雷一席話
香港演藝學院舞台製作老師Wa Yuen跟我說過：「添加『創意』，舞台製作絕對是一門藝術，技術應用通過創意思維就昇華成為藝術。」「創意」是未來世界萬物之源：固有的政治、固有的社會、固有的經濟、固有的生活，在二千年代，都面臨劇變，沒有創意思維的人，終被時代巨輪輾壓…..
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THE HAPPY & SAD LIFE OF THE PUPPET MASTER OF HONG KONG—MAK SIU TONG
There are different kinds of puppets for a show and they can talk, sing and dance to amuse: glove puppet, rod puppet, shadow puppet, finger puppet and string-operated puppet. In Hong Kong, rod puppets and string-operated puppets (sometimes known as marionette) were once popular. Only a handful of very old artists still work in the…
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一次意外，拯救了藏於沙田美林邨的數百年木偶—香港傳奇偶戲宗師麥少棠
某天的晚上，朋友給我短訊：「我的姨公叫麥少棠，在戰後，從廣州來了香港，但身無長物，照片也沒有帶來，一直在演木偶戲。1973年，他成立了『香港漢華年廣東手托木偶團』。老人家在1987年，因為壞血病，八十歲離世。少棠姨公留下的東西，一直被女兒放在沙田美林邨一個租來的地下小倉，可是，管理處要收回貨倉，而且，加上最近的颱風，把東西浸壞，她只好把東西丟掉，但是又依依不捨，覺得這些木偶劇團的架生和細軟，很有文化藝術的價值，你可否幫忙，做件好事，看看有沒有博物館願意接收這些香港遺產？」…..
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HONG KONG’S JOE JUNIOR: GOLDEN BOY, GOLDEN DAYS, GOLDEN VIEWS
30-9-2019 The time-honoured principle and order in the singing business: the strongest take the front seats, the weaker the rear and the weakest will disappear. Joe Junior started at the age of 17 and has been singing in Hong Kong since 1960s when he was in St. Joseph’s College. Very few stars of his era…
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香港歌壇屹立不倒金童子 Joe Junior：給年輕歌手的十個貼士
有一個長輩：六十、七十、八十年代至今，還站在台上唱歌，唱了五十多年，而且精神奕奕、充滿智慧，是怎樣的一個人，才有這種本領？Joe Junior輕鬆地答：「只要喜歡一件事情，便沒有難度。」…..
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WHEN YOU CUT OPEN A POP SONG, THE 10 TOOLS THAT YOU WILL FIND?
27-9-2019 We listen to pop songs but do not bother to dredge up the elements. There are often 10 components in a pop song: The fundamental structural parts of a popular song are the ‘verse’ and ‘chorus’. Pop songs almost invariably have both a verse and a chorus. The basic difference is that when the…
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